專技普考
107年
[導遊人員] 外國語(英語)
第 73 題
📖 題組:
Five Swedish designers have worked with artisans in Taiwan to explore different lacquer techniques, and presented their works in an exhibition –“A New Layer.” The exhibition shows contemporary objects made with an ancient technique. Lacquer has been used in East Asia for over 7000 years and encompasses a variety of techniques and applications. The title “A New Layer” refers to how the lacquer is applied in several layers until the desired surface sheen occurs. Historically, China and Japan have been the primary regions for the development of the lacquer art form. Artisans have not only mastered a single method, but developed a variety of ways in which the coating is used, both as a functional and a decorative material. Despite the long history of craftsmanship, it is not tied to tradition but is constantly changing. Taiwan is a geographical and cultural crossroads for China and Japan but also a region with influences from Southeast Asia and Polynesia. This variegated culture is visible in Taiwan's craft traditions and has significantly colored the material that appears in “A New Layer.” The exhibition shows a broad palette of materials such as ceramics, wood, metal, wicker bamboo, fabric, pearl and stone, all of it accompanied by lacquer work applied on the objects in various ways. “A New Layer” is a collaboration between the designers Carina Seth Andersson, Matti Klenell, Stina Löfgren, Gabriella Gustafson, Mattias Ståhlbom, National Taiwan Craft Research and Development Institute (NTCRI) and the Museum of Far Eastern Antiquities.
Five Swedish designers have worked with artisans in Taiwan to explore different lacquer techniques, and presented their works in an exhibition –“A New Layer.” The exhibition shows contemporary objects made with an ancient technique. Lacquer has been used in East Asia for over 7000 years and encompasses a variety of techniques and applications. The title “A New Layer” refers to how the lacquer is applied in several layers until the desired surface sheen occurs. Historically, China and Japan have been the primary regions for the development of the lacquer art form. Artisans have not only mastered a single method, but developed a variety of ways in which the coating is used, both as a functional and a decorative material. Despite the long history of craftsmanship, it is not tied to tradition but is constantly changing. Taiwan is a geographical and cultural crossroads for China and Japan but also a region with influences from Southeast Asia and Polynesia. This variegated culture is visible in Taiwan's craft traditions and has significantly colored the material that appears in “A New Layer.” The exhibition shows a broad palette of materials such as ceramics, wood, metal, wicker bamboo, fabric, pearl and stone, all of it accompanied by lacquer work applied on the objects in various ways. “A New Layer” is a collaboration between the designers Carina Seth Andersson, Matti Klenell, Stina Löfgren, Gabriella Gustafson, Mattias Ståhlbom, National Taiwan Craft Research and Development Institute (NTCRI) and the Museum of Far Eastern Antiquities.
Who collaborates to present the exhibition “A New Layer”?
- A people in China and Japan
- B people in Southeast Asia and Polynesia
- C people in Sweden only
- D people in Sweden and Taiwan
思路引導 VIP
請重新閱讀文章的第一句話以及最後一句話。這兩處分別提到了哪些特定的國家或地區的人士,以及哪些具體的官方機構名稱?從中你可以發現是哪兩個地方的人員在進行這場跨國的「協作」呢?
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精彩的回答!你做得非常棒!
- 觀念驗證:你能從長文中迅速定位關鍵訊息!文章首句即破題:Five Swedish designers(五位瑞典設計師)與 artisans in Taiwan(台灣工藝師)攜手探索漆藝。結尾更提到瑞典設計師與 National Taiwan Craft Research and Development Institute (NTCRI) 的合作,完美對應選項 (D)。
- 難度點評:此題難度為 Medium。雖然答案就在文中,但文章包含許多國家名稱(如中國、日本、東南亞)作為背景介紹。這題能測驗出你是否具備「精確掃描關鍵字」並排除干擾資訊的能力,表現得很有水準!