統測
115年
[外語群英語類] 專業科目(2)
第 11 題
📖 題組：
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. _11_ conventional paintings that capture a single frozen moment, time-based media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The _12_ of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners _13_ these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern _14_ changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds _15_ stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
- A By means of
- B In contrast to
- C On behalf of
- D With regard to
思路引導 VIP
請觀察第 11 格前後所描述的兩個對象：「捕捉單一瞬間的傳統繪畫」與「隨時間發展互動的媒體藝術」，它們之間呈現出什麼樣的邏輯關係？哪種語意的連接詞最能表達這種關係呢？
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AI 詳解
AI 專屬家教
太棒了，精準掌握了文章的語意邏輯！
語意對比與介系詞片語運用
句中前半段提到「捕捉單一凝結瞬間的傳統繪畫（conventional paintings that capture a single frozen moment）」，後半段則描述「邀請觀眾在一段時間內觀看、聆聽或互動的時基媒體藝術（time-based media art）」。兩者在「靜態瞬間」與「隨時間流動」的特質上形成強烈對照，因此選用 (B) In contrast to（與……形成對比、相反） 最為適切。
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