統測
115年
[外語群英語類] 專業科目(2)
第 12 題
📖 題組：
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. _11_ conventional paintings that capture a single frozen moment, time-based media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The _12_ of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners _13_ these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern _14_ changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds _15_ stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
- A ally
- B corridor
- C hazard
- D origin
思路引導 VIP
請觀察空格後面的動詞片語「can be traced to（可追溯至……）」與年代「the 1960s」，想一想：在探討一項藝術手法的歷史時，哪一個名詞概念最適合用來表示「這項手法的開端或源頭」？
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AI 詳解
AI 專屬家教
恭喜你精準選出正確答案！這題考查的是名詞字彙與上下文語意搭配。 句中的關鍵片語是「can be traced to...（可追溯至……）」，後面接著「1960年代的實驗性作品」，整句在探討這項藝術手法的歷史發端。因此，填入代表「起源、發源」的 origin 最符合文意。其他選項如 (A) 盟友、(B) 走廊、(C) 危險，在語意上皆無法與歷史追溯產生合理連結。 本題屬於統測克漏字中常見的語意搭配題，難度適中。解題的切入點在於能否從後方的動詞片語「be traced to」迅速聯想到「追本溯源」的概念，只要掌握關鍵片語的脈絡，就能輕鬆鎖定正確詞彙！