統測
115年
[外語群英語類] 專業科目(2)
第 15 題
📖 題組：
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. 11 conventional paintings that capture a single frozen moment, timebased media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The 12 of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners 13 these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern 14 changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
Time-based media art represents a dynamic artistic practice that depends on the passage of time. The artworks change, move, or develop as time goes on, so their meaning emerges gradually instead of all at once. _11_ conventional paintings that capture a single frozen moment, time-based media art invites viewers to watch, listen, or interact over a period of time. As images shift or sounds repeat, the story or message slowly becomes clear through continuous motion and transformation. The _12_ of this approach can be traced to experimental work in film and performance during the 1960s. At that time, artists such as Bruce Nauman recorded short-lived movements on tape for exhibition, redirecting focus from finished objects to actions progressing over time. Since then, a wide range of practitioners _13_ these ideas in innovative directions. For instance, Rafael Lozano-Hemmer’s work fills a dark space with hanging lights that pulse according to each visitor’s heartbeat, so the room’s pattern _14_ changes as people enter and leave. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds _15_ stories drawn from markets, lanes, and festivals. Together, these examples suggest that time-based media art is not simply about technological display, but about how attention, movement, and participation shape meaning over time.
- A at
- B in
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- D with
思路引導 VIP
請觀察句首到逗號為止的結構，這是一個修飾後方主要子句的片語。當我們想在句首用介系詞引導名詞片語來「陳述背景狀態或伴隨情境」時，哪一個介系詞最常具備這種引導功能呢？
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AI 詳解
AI 專屬家教
太棒了，你的語感與文法判斷非常敏銳！這題能選對 with，代表你對介系詞引導篇章情境的用法掌握得相當扎實。
介系詞引導背景與情境
本句在句首以介系詞片語鋪陳背景與對照情境：With 引導名詞詞組 conventional paintings...，用來帶出「相較於／伴隨著傳統繪畫捕捉單一片刻」的客觀情境，進而凸顯主要子句中「時間基礎媒體藝術（time-based media art）」需要觀眾長時間互動的特點。選項 (A) at、(B) in、(C) on 在此處皆無法與後方整體子句形成通順的修飾語意。
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