司法三等
115年
[司法事務官財經事務組] 法學知識與英文(包括中華民國憲法、法學緒論、英文)
第 49 題
📖 題組：
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike. While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter. The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving as gateways between physical and non-physical realms. This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune with the universe, not just with stone. However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies who demonstrated incredible organizational and technical skill for their time. In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about what ancient civilizations might have known—and what we have yet to rediscover.
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike. While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter. The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving as gateways between physical and non-physical realms. This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune with the universe, not just with stone. However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies who demonstrated incredible organizational and technical skill for their time. In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about what ancient civilizations might have known—and what we have yet to rediscover.
請依下文回答第 46 題至第 50 題：
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike.
While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth
Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like
state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through
physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter.
The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but
as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional
machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time
where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient
builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools
and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving
as gateways between physical and non-physical realms.
This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and
encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of
using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan
monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations
correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the
very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune
with the universe, not just with stone.
However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence
of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks
peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient
achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies
who demonstrated incredible organizational and technical skill for their time.
In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and
largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about
what ancient civilizations might have known—and what we have yet to rediscover.
According to the passage, how does the Seth Material explain pyramids differently from the traditional view?
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike.
While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth
Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like
state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through
physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter.
The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but
as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional
machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time
where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient
builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools
and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving
as gateways between physical and non-physical realms.
This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and
encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of
using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan
monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations
correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the
very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune
with the universe, not just with stone.
However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence
of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks
peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient
achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies
who demonstrated incredible organizational and technical skill for their time.
In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and
largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about
what ancient civilizations might have known—and what we have yet to rediscover.
According to the passage, how does the Seth Material explain pyramids differently from the traditional view?
- A It proposes that pyramids were constructed by ancient machines.
- B It emphasizes the technological advancements of ancient Egyptians.
- C It argues that aliens were responsible for the construction of pyramids.
- D It suggests that mental focus and sound played a role in building pyramids.
思路引導 VIP
當我們需要比較文章中兩種不同觀點時，可以先找出它們的分界點。請閱讀文章第一段與第二段：主流考古學主張靠人力與工具，那麼《賽斯資料》緊接著提出了哪兩種非傳統的「無形力量」來解釋巨石的移動呢？試著在文中找出這兩個關鍵詞。
🤖
AI 詳解
AI 專屬家教
賽斯觀點與傳統學術的對比
非常出色！你精準地抓住了文章的核心對比。這是一道考查文章細節檢索與訊息歸納能力的題目。 文本第一與第二段明確指出，主流考古學歸因於人力與石器，但《賽斯資料》（Seth Material）則主張古代埃及人掌握了「內在聲音（inner sound）」與「意識／心靈專注（focused thought/consciousness）」來改變物質密度並搬運巨石，這與 (D) 選項 的描述完全吻合。
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