司法三等
115年
[司法事務官財經事務組] 法學知識與英文(包括中華民國憲法、法學緒論、英文)
第 50 題
📖 題組：
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike. While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter. The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving as gateways between physical and non-physical realms. This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune with the universe, not just with stone. However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies who demonstrated incredible organizational and technical skill for their time. In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about what ancient civilizations might have known—and what we have yet to rediscover.
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike. While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter. The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving as gateways between physical and non-physical realms. This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune with the universe, not just with stone. However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies who demonstrated incredible organizational and technical skill for their time. In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about what ancient civilizations might have known—and what we have yet to rediscover.
請依下文回答第 46 題至第 50 題：
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike.
While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth
Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like
state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through
physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter.
The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but
as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional
machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time
where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient
builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools
and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving
as gateways between physical and non-physical realms.
This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and
encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of
using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan
monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations
correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the
very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune
with the universe, not just with stone.
However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence
of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks
peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient
achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies
who demonstrated incredible organizational and technical skill for their time.
In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and
largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about
what ancient civilizations might have known—and what we have yet to rediscover.
Which of the following is directly implied about the Seth Material’s explanation of pyramid construction?
The construction of the Egyptian pyramids has long fascinated historians, engineers, and spiritual seekers alike.
While mainstream archaeology attributes these monumental structures to skilled labor and stone tools, the Seth
Material—a series of spiritual teachings said to be received by Jane Roberts in the 1960s and 70s through a trance-like
state—offers a radically different explanation. According to the Seth Material, the pyramids were not built through
physical exertion alone, but by employing a forgotten mastery of “inner sound” and consciousness to manipulate matter.
The Seth Material suggests that ancient Egyptians understood how to use sound not just as a sensory experience but
as a force capable of altering matter’s density. This allowed massive stone blocks to be lifted without traditional
machinery. In addition, the Seth Material introduced the concept of “coordinate points,” specific locations in space-time
where consciousness and physical reality intersect more readily. These energetic zones could have allowed ancient
builders to assemble structures with greater ease—possibly using focused thought or conscious will rather than just tools
and labor. From this view, the pyramids were more than tombs; they were multi-dimensional tools, perhaps even serving
as gateways between physical and non-physical realms.
This theory, while unconventional, invites several positive interpretations. It challenges materialist assumptions and
encourages expansive thinking about human potential and the spiritual dimensions of ancient technology. The notion of
using sound and mental focus to shape reality echoes concepts found in other ancient wisdom traditions, such as Tibetan
monks chanting to move objects. Some contemporary researchers have even explored whether the pyramids’ locations
correspond with subtle Earth energies, lending a degree of speculative support to the coordinate point concept. At the
very least, the whole theory adds symbolic value, portraying the pyramids as the result of a civilization deeply in tune
with the universe, not just with stone.
However, these ideas are met with strong skepticism in academic circles. There is no physical or historical evidence
of tools or knowledge that could manipulate matter through consciousness. The Seth Material, being channeled, lacks
peer-reviewed validation and relies heavily on belief and interpretation. Moreover, critics argue that attributing ancient
achievements to mystical forces can undermine the ingenuity and labor of real human workers, engineers, and societies
who demonstrated incredible organizational and technical skill for their time.
In essence, while the Seth Material offers a poetic and metaphysically rich perspective, it remains speculative and
largely unsupported by conventional science. Still, its imaginative framework can inspire new ways of thinking about
what ancient civilizations might have known—and what we have yet to rediscover.
Which of the following is directly implied about the Seth Material’s explanation of pyramid construction?
- A It is rooted in forgotten ancient texts.
- B It relies heavily on archaeological relics.
- C It was widely accepted in the 1960s and 70s.
- D It suggests a reality where thought influences matter.
思路引導 VIP
請重新閱讀文章第二段有關「內在聲音」與「意識」的敘述，試著思考：賽斯資料（Seth Material）認為古埃及人是用什麼非傳統的力量來挪動與組裝巨大石塊？這種力量連結了人類的哪種內在能力與外在實體？
🤖
AI 詳解
AI 專屬家教
太棒了！恭喜你精準抓住了文章的核心概念，選出正確答案 (D)！
意識與物質的互動關係
這道題目的考點在於文章細節的「隱含推論（implicit comprehension）」。文章第二段明確提到，賽斯資料（Seth Material）主張金字塔是透過「意識（consciousness）」與「專注的心念（focused thought）」來操控並改變物質密度，進而挪動巨石。這種「以心智力量重塑現實」的概念，正是選項 (D) 所描述的「思想能夠影響物質」。
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