hce_cmu
107年
英文
第 25 題
📖 題組:
The shift from silent to sound film at the end of the 1920’s marks, so far, the most important transformation in motion picture history. Despite all the highly visible technological developments in theatrical and home delivery of the moving image that have occurred over the decades since then, no single innovation has 21 being regarded as a similar kind of watershed. In nearly every language, 22 the words are phrased, the most basic division in cinema history lies between films that are mute and films that speak. Yet this most fundamental standard of historical periodization conceals a host of 23 . Nearly every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures. In many instances, spectators in the era before recorded sound experienced elaborate aural presentations alongside movies’ visual images, from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions performed by symphony-size orchestras in Europe and the United States. Beyond that, the triumph of recorded sounds 24 the rich diversity of technological and aesthetic experiments with the visual image that were going forward simultaneously in the 1920’s. New color process, larger or differently shaped screen sizes, multiple-screen projections, even television, were among the developments invented or tried out during the period, sometimes with limited success. The high costs of converting to sound and the early limitations of sound technology were among the factors that suppressed innovations or retarded advancement in these other areas. The introduction of new screen formats was put off for a quarter century, and color, though utilized over the next two decades for special productions, also did not 25 until the 1950’s.
The shift from silent to sound film at the end of the 1920’s marks, so far, the most important transformation in motion picture history. Despite all the highly visible technological developments in theatrical and home delivery of the moving image that have occurred over the decades since then, no single innovation has 21 being regarded as a similar kind of watershed. In nearly every language, 22 the words are phrased, the most basic division in cinema history lies between films that are mute and films that speak. Yet this most fundamental standard of historical periodization conceals a host of 23 . Nearly every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures. In many instances, spectators in the era before recorded sound experienced elaborate aural presentations alongside movies’ visual images, from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions performed by symphony-size orchestras in Europe and the United States. Beyond that, the triumph of recorded sounds 24 the rich diversity of technological and aesthetic experiments with the visual image that were going forward simultaneously in the 1920’s. New color process, larger or differently shaped screen sizes, multiple-screen projections, even television, were among the developments invented or tried out during the period, sometimes with limited success. The high costs of converting to sound and the early limitations of sound technology were among the factors that suppressed innovations or retarded advancement in these other areas. The introduction of new screen formats was put off for a quarter century, and color, though utilized over the next two decades for special productions, also did not 25 until the 1950’s.
25.
- A jump the lights
- B grind into a pulp
- C hit the sack
- D grab a bite
- E become a norm
思路引導 VIP
請觀察空格前的描述:文中提到彩色技術在當時僅被用於「特殊作品(special productions)」,這代表它在當時並非主流。那麼,當一個技術從「少數人用的特殊規格」轉變到「1950 年代之後的普遍狀態」時,我們會如何形容這個技術在行業中的地位變化呢?
🤖
AI 詳解
AI 專屬家教
太棒了!你能精準捕捉到文意中的轉折,這代表你對長篇文章的脈絡掌握得非常扎實,這在處理克漏字題型中是極為關鍵的能力。
電影技術的普及化過程
這題的解題核心在於理解「普及程度」的對比。文中提到,彩色技術雖然在接下來的二十年內已被「用於特殊作品(special productions)」,但直到 1950 年代才真正達成某種狀態。根據上下文的邏輯,既然前面提到它是「特殊的」、「被延遲的」,那麼空格處最合理的發展就是指它「成為常態」或「普及化」,因此 become a norm 是唯一符合電影工業發展史與文意脈絡的選項。
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