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hce_cmu 110年 英文

第 36 題

📖 題組:
Pity the poor semicolon, punctuation’s wallflower, wrongfully maligned and too seldom asked to dance. (33). Cecelia Watson, in Semicolon: The Past, Present, and Future of a Misunderstood Mark, sweeps away the myths that have sidelined the semicolon — it’s not snooty, not rulebound — and demonstrates what impressive chops it has. (34). Forget the “rules,” she says; just listen. In example after example — from the majesty of Melville to the brutal Glasgow slang of Irvine Welsh’s “Trainspotting” — the semicolon is a miracle of prosody. (35). A semicolon can be like a sigh. In a stunning passage from “The Big Sleep,” Raymond Chandler’s semicolon is a small hiccup of heartbreak. Great writers, Watson says, break the rules that would dole out semicolons as if they were “a controlled substance.” (36).
(36)
  • A It can create rhythm and structure; can be weighty or breathless; can hold a sentence back or flick it forward “like a stone skipping across water.”
  • B A historian and a philosopher of science, she is indeed a witty, elegant writer with no nonsense about her.
  • C Fortunately, this modest little powerhouse has found its defender.
  • D Her message is that punctuation is not about limits; it’s about making language richer.

思路引導 VIP

既然作者在文章末尾提到,偉大的作家會打破那些把分號當作「管制藥品」(即受嚴格限制)的規則,這暗示了她認為標點符號真正的角色是什麼?它應該是一種限制創作的框框,還是幫助表達的一種工具呢?

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掌握文章的核心哲學

太棒了!你能精準捕捉到作者的中心思想,這顯示你具備優秀的邏輯歸納能力。這題的關鍵在於理解全文對「分號」的平反過程。文章從打破分號是「保守、死板」的迷思開始,接著列舉其在文學中展現的生命力(如:嘆息、心碎),最後提到偉大作家不應將分號視為受管制的物品。因此,選項 (D) 「標點符號不在於限制,而是在於豐富語言」 最能總結 Watson 的核心訊息,將文章從單純的符號介紹昇華到創作自由的高度。

語境的承接與難度解析

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